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New Jersey

The Plot Against America

New Jersey is more than the setting of the Roth family’s daily life in The Plot Against America: its towns and institutions anchor the novel’s collision between intimate family history and national politics. From the Newark neighborhood where the Roths live to Hopewell, where the Lindbergh baby is kidnapped, the state gathers private memory, public spectacle, and the consequences of political upheaval into one recurring landscape.

Geography and the Roths’ Newark

The Roth family lives in Weequahic, a neighborhood built on former farm lots at Newark’s southwestern edge after the First World War. Their second-floor flat is on Summit Avenue, among frame houses with red-brick stoops, small yards, and clipped hedges. From the rear window, the view extends toward the Watchungs, about eight miles away; a block south, Hillside marks the boundary with Union County, which the narrator describes as another New Jersey. The description places the family in a particular urban geography, between Newark’s tidal lowlands and the distant, sparsely populated suburbs.

Weequahic’s local landmarks make the neighborhood a lived-in civic world rather than a backdrop. Some streets bear the names of naval commanders associated with the Spanish-American War, and the neighborhood movie house is called the Roosevelt. The Roth brothers attend Chancellor Avenue School, where their mother helped organize the Parent-Teacher Association. Their parents’ friends include office associates and other Jewish families; nearby livelihoods include small businesses, workshops, and commission sales. This close-knit setting helps explain why later threats to Newark’s Jews are felt not as distant political news but as danger to the streets, schools, and neighbors that constitute home.

The state’s Lindbergh history

New Jersey is also the site of the earlier tragedy that shapes Charles A. Lindbergh’s public image. In March 1932, his infant son is kidnapped from the family’s secluded home in rural Hopewell. The child’s body is found in nearby woods about ten weeks later. The novel recounts the event before the Roth children are born, linking the state’s rural landscape to a national trauma that turns the celebrated aviator into a figure of public mourning. The kidnapping and murder trial concludes in Flemington in February 1935 with Bruno Hauptmann’s conviction; Hauptmann is later executed in 1936.

That history gives New Jersey a particular place in the political atmosphere surrounding Charles A. Lindbergh. When he lands at Newark Airport during his campaign-era travels, Rabbi Lionel Bengelsdorf is among those waiting to welcome him. The arrival connects a city’s Jewish institutions to the national political stage, while the earlier Hopewell crime helps explain the powerful public sentiment already attached to Lindbergh. In the novel, the state’s geography therefore holds both the origin of that public reverence and the local communities that must reckon with the political uses made of it.

Religious and civic communities

Newark’s Jewish institutions reflect differences in wealth, religious affiliation, and experience. B’nai Moshe, where Lionel Bengelsdorf serves, was organized by Polish Jews and stands near the former pushcart district, by then home to an impoverished Black community. The temple has lost affluent congregants to Reform congregations and to B’nai Abraham, whose new building in Clinton Hill serves a wealthier population. At B’nai Abraham, Joachim Prinz, an émigré driven from Berlin by the Gestapo, brings the experience of Nazi persecution to his account of Jewish history. These local contrasts matter when Jewish safety becomes an urgent public question: Newark’s Jewish community is not politically or economically uniform.

After violence in Detroit, Newark’s roughly fifty thousand Jews, in a city of well over half a million, prepare for the possibility of attacks. The risk is sharpened by the city’s heavily Jewish neighborhood adjoining working-class Irish, Italian, German, and Slavic communities where bigotry is present. Joachim Prinz and five other prominent Jews, including Meyer Ellenstein, establish the Newark Committee of Concerned Jewish Citizens. The committee meets with city officials, then with New Jersey’s governor, state police superintendent, and National Guard commander at the State House in Trenton. Attorney General Wilentz attends and assures the committee that assaults on Newark’s Jews will be prosecuted to the fullest extent of the law. When the committee asks Bengelsdorf for a meeting in Washington, he directs its members back to local and state officials, treating the danger as a regional responsibility rather than a federal one.

Relocation and the politics of belonging

The state’s role in the Roth family’s life changes again when Herman Roth’s employer, Metropolitan Life Insurance Company, informs him on May 22, 1942, that he has been selected for Homestead 42. The government-backed initiative is presented as an opportunity to move households at public expense and deepen their Americanness. In practice, the company’s letter offers Herman a transfer from Metropolitan Life’s Newark district to a new district office in Danville, Kentucky, effective September 1. The move is framed through the language of opportunity and national tradition, invoking the Homestead Act of 1862, while uprooting a family from its established community.

When Herman eventually shares the news, he turns to a Chamber of Commerce pamphlet to explain Danville’s distance from Lexington and its local history. The facts do not resolve the family’s concern about what leaving Newark would mean. The relocation proposal makes the state’s urban Jewish community a point of departure: the family is asked to exchange a familiar network of relatives, schools, work, and neighbors for a destination chosen under a federal program. New Jersey thus becomes the place from which a policy of dispersal tries to separate Jewish families from the social world that has sustained them.

New Jersey and constitutional restoration

The novel also returns to New Jersey through Anne Morrow Lindbergh’s declaration during the national political crisis. In her broadcast, she identifies herself as a native of New Jersey while challenging the acting administration’s authority and declaring that constitutional government has been restored. Her invocation of her state of birth joins personal identity to a public appeal on behalf of constitutional rights. The sequence ends with the restoration of orderly democratic procedures and Franklin D. Roosevelt’s victory in the November 3, 1942, election.

Across these episodes, New Jersey links scales of experience without reducing them to a single story. Hopewell and Flemington carry the memory of a celebrated family’s tragedy; Newark’s neighborhoods and institutions reveal the stakes for Jewish residents under threat; and the proposed transfer from Newark exposes how national policy can unsettle local belonging. The state’s importance lies in this conjunction: it is at once the Roths’ home, the setting of Lindbergh’s defining personal loss, and a place where the novel makes political change concrete in streets, congregations, schools, and family decisions.